A Legacy in Clay
In the world of American ceramics, few names carry the weight of Mary Chase Perry Stratton. Born March 15, 1867 in Hancock, Michigan, she transformed a love of art and craftsmanship into one of the most enduring legacies in architectural ceramics: Pewabic Pottery. From her early days exploring the Upper Peninsula’s copper mines to her later years shaping Detroit’s artistic landscape, Stratton’s impact on ceramic arts is impossible to ignore.
Her artistic journey began in Detroit, where she took her first formal art classes before heading to the Art Academy of Cincinnati. There, she studied under the well-regarded sculptor Louis Rebisso. But it was back in Detroit where she made history. In 1903, she co-founded Pewabic Pottery with Horace James Caulkins, a kiln expert whose techniques helped bring her artistic vision to life. Named after a U.P. copper mine (or possibly an indigenous word for “metal”), Pewabic Pottery quickly gained recognition for its distinctive iridescent glazes and handcrafted tiles. By 1907, it had outgrown its original location and moved into a purpose-built studio designed by Detroit architect William Stratton—whom Mary would later marry in 1918.
Her influence can still be seen in buildings across the country, from the National Shrine of the Immaculate Conception in Washington, D.C., to the Detroit Institute of Arts and countless public buildings, churches, and private homes. Even today, Pewabic Pottery continues to operate in Detroit, keeping her vision alive.
Mary Chase Perry Stratton passed away in 1961, but her work remains as vibrant and enduring as the tiles she crafted. Next time you see a piece of Pewabic tilework, take a moment to appreciate the artistry, history, and dedication behind it—an extraordinary legacy shaped by an extraordinary woman.
